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On the evening of November 6, 2016, roughly twelve million people in the United Kingdom sat down to watch a baby marine iguana sprint across a beach while a knot of racer snakes uncoiled to chase it. The sequence opened a wildlife series narrated by Sir David Attenborough, and it turned a small reptile's escape into appointment television. Every one of the show's six episodes pulled between 11 and 13 million viewers in Britain alone. People did not tune in for a plot or a celebrity. They tuned in for animals.

For anyone curious about how one of these animal-heavy platforms is structured and where its rules sit, LSR's crown coins casino breakdown walks through the coin system, the sweepstakes model, and the game library in plain terms, which is a useful counterweight to imagery designed to move faster than thought.

That reaction is worth taking seriously, because it repeats everywhere humans build things meant to catch the eye. The same pull that fills a documentary's ratings also fills children's books, museum halls, sports mascots, tattoo studios, and, more and more, the art departments behind online games. Somewhere between the meerkat and the mood board, wildlife became a default visual language for digital entertainment. What follows is less about the games and more about the creatures inside them, and about the old, deep wiring that makes a fox, a phoenix, or a great white shark almost impossible to ignore.

What Wildlife Filmmaking Taught Us About Attention

Natural history film is one of the few genres that reliably holds a mass audience across every age group. A predator chase, a courtship dance, a migration seen from the air: none of it needs subtitles or backstory. The drama is legible in seconds because the stakes are the oldest ones there are, eating and being eaten, finding a mate, keeping young alive. Producers learned decades ago that a single well-framed animal, held on screen and given room to move, will outperform almost any staged human scene for raw attention.

Those production instincts have quietly become a rulebook for anyone who designs to grab a glance. The tight close-up on an eye, the slow reveal of a body emerging from grass, the sudden burst of speed after a long stillness: these are the grammar of the BBC's Planet Earth II and its many imitators, and they are exactly the beats that game artists copy when they want a symbol to feel alive. When a designer needs a screen to feel urgent within a fraction of a second, a charging animal does the work that a paragraph of text never could.

Which Creatures Appear Most, and Why

Not all animals earn equal screen time. A rough hierarchy emerges across nature media and the design work that borrows from it, sorted less by species than by the feeling each creature carries. The table below maps the groups that recur most often against the signal they send and the reason art directors keep returning to them.

Creature group	Signal it sends	Why designers reach for it
Big cats (lion, tiger, leopard)	Power, danger, status	Instant read of strength and prestige
Wolves and foxes	Cunning, wildness, loyalty	Deep folklore familiarity across cultures
Elephants and rhinos	Size, memory, endurance	A sense of weight and permanence
Owls and eagles	Vision, wisdom, height	Long tie to insight and far sight
Snakes and dragons	Threat, mystery, change	Fast, hardwired alertness
Pandas, cubs, and kittens	Care, softness, safety	Baby schema triggers warmth
Whales, dolphins, sharks	Depth, freedom, fear	Wide range from calm to terror
Butterflies and bees	Color, motion, industry	Bright palettes and constant movement

That undertone gives animal imagery a nostalgia it can trade on, whether the designers intend it or not. Readers who like to keep track of how animal-themed digital products are covered, and where the rules around them are shifting, can follow Legal Sports Report on X for ongoing reporting. The wider point holds across media: the more genuinely wild animals recede, the more their images circulate, and the more weight each one seems to carry when it appears.

Frequently Asked Questions

Why do animal themes appear so often in modern game design?

Because human attention is tuned to living things by default. Wilson's biophilia idea, primate color vision built to spot food, snake-driven threat detection, and the caregiving response to cute faces all mean an animal registers faster and holds the eye longer than most other images. Designers who need a symbol to land in a fraction of a second reach for the shortcut that biology already provides.

Are these designs based on real animal behavior?

Loosely, and selectively. Art teams borrow the postures and moments that documentary film made familiar, the charge, the flight, the direct stare, because those read as authentic. The behavior is stylized rather than accurate, exaggerated for punch, but it draws on the same visual grammar that natural history filmmakers spent decades refining.

Which animals are considered the most popular in game art?

Big cats, wolves and foxes, eagles and owls, elephants, and mythic reptiles like dragons recur most, alongside a steady stream of cute cubs and kittens. Each maps to a clear feeling, power, cunning, wisdom, weight, threat, or warmth, which is why the same short roster shows up across very different products.

Independent editorial reviews are the reliable route, because they describe how a product actually works rather than how its art makes you feel. Legal Sports Report, for example, publishes plain-language explainers on individual platforms, covering coin systems, sweepstakes rules, and game libraries, so a reader can weigh the mechanics apart from the wildlife on the surface.

Readers of this blog recently weighed a strange thought experiment: what would happen if every mosquito on Earth vanished at once. The honest answer was that nobody can be certain, because nature runs on probability, not on promises. That same discomfort shows up in a much smaller arena, and it begins with a plain question people keep asking: if a social casino game costs nothing to play, why does it feel like it is always one spin away from paying out?

It is a fair question, and the short answer is pure mathematics. Whether you are tracking the odds that a newly described African monkey survives its first year or watching the reels of a coin game flicker, the underlying force is identical. Random outcomes cluster in ways our brains misread. We spot a pattern in the noise, treat a near miss as meaningful, and read a short streak as something we earned rather than something the numbers permitted.

Before going deeper, it helps to know what these products really are. Lineups keeps this social casino analysis as a plain-language reference that explains how dual-currency social casinos work, why United States law treats them as sweepstakes promotions rather than real-money gambling, and where the play-money math actually settles. These platforms run on Gold Coins that you use to play and Sweeps Coins that can be redeemed for prizes, with no purchase necessary to enter or win, and they are limited to players 18 and older.

What players believe is happening

Ask a regular player how a coin game works and you will often hear the language of momentum. The machine is "due," the last three near misses "mean something," and a big win must be "getting closer." This is the gambler's fallacy dressed in casual clothes, and it is remarkably persistent. A naturalist watching a heron miss fish after fish knows the bird is not owed a catch on the next strike. Yet in front of a spinning reel, that same clear thinking tends to dissolve. Belief fills the gap where certainty is missing.

What the mathematics actually does

Each outcome in a well-built social casino game is produced by a random number generator, and every spin is independent of the last. The reels do not remember, warm up, or owe anyone anything. Designers assign each symbol a weight, and those weights decide how often combinations appear over millions of plays. Because the currency is virtual, there is no cash house edge in the traditional sense, but the same weighting logic controls how often the celebratory sounds and animations fire. The math is tuned for engagement, not for a payout schedule you can outsmart. No pattern-reading, timing trick, or streak-chasing system changes the weights sitting inside the code.

Why the gap between belief and reality persists

The distance between what players feel and what the numbers do is not simple ignorance. Human minds evolved to detect patterns fast, because a rustle in the grass that might be a predator was worth reacting to even when it was only the wind. That instinct kept our ancestors alive, and the same wiring now finds shapes in random reels. Add well-timed lights, rising tones, and the near miss, which lands one symbol short of a jackpot far more often than pure chance alone would produce, and the illusion of "almost" becomes powerful. The design does not lie to you. It speaks fluently to a brain built for a savanna, not a screen.

Reading the signals honestly

Once you know what to look for, the cues a game uses stop feeling like fate and start looking like design choices. The table below separates the signal a player notices from what it usually means underneath.

Signal you notice	What it usually means
A run of near misses	Independent spins plus symbol weighting, not a build-up
The game feels "hot"	Short-term variance, which always evens out over time
Louder sounds after small wins	Reinforcement design, not a change in your odds
A long dry spell	Ordinary randomness, since outcomes have no memory
Bonus wheels appearing often	A scheduled feature frequency, set in advance by the math

None of these signals predict the next result. They describe how the experience is packaged, which is a different thing entirely.

Practical takeaways for a curious mind

The same skepticism a wildlife reader brings to a viral animal claim works here. Treat each spin as independent, because it is. Notice the near miss and name it, because naming a bias weakens its grip. Remember that a random number generator has no sense of justice, no memory, and no plan for you. Social casinos are entertainment products, and treating the outcomes as skill or destiny is where the misreading starts.

A note on responsible play belongs here. These platforms are for adults 18 and older, they carry the standard "no purchase necessary, void where prohibited" terms, and a few states restrict them, including Washington, Idaho, Michigan, and Nevada. If play stops feeling like fun, help is available in the United States at 1-800-GAMBLER. Understanding the mathematics is a good defense, but it is not a strategy for beating a system that was never a contest of skill in the first place.

Frequently asked questions

Does it cost anything to play a social casino?

No purchase is necessary. You can play with Gold Coins obtained through free daily bonuses, promotions, or mail-in requests, which is what keeps these products legally distinct from real-money gambling.

If I buy coin packages, do my odds improve?

No. Buying Gold Coins gives you more play time, not better outcomes. The symbol weighting that governs results does not shift based on what you spend, and a purchase never increases your chance of winning.

Are there hidden fees when redeeming Sweeps Coins?

Redemption terms are set by each operator, so read them closely. Legitimate platforms disclose minimum thresholds and processing details up front rather than burying surprise charges after the fact.

Why do the currency systems feel so complicated?

The dual-currency structure, Gold Coins for play and Sweeps Coins for prizes, exists to keep the product inside sweepstakes law. It separates paid entertainment from the promotional path to prizes that no purchase can require.

Can spending more money change the game's math?

No. The weights inside the random number generator are fixed by the designers before you ever open the app. Money buys more spins and more time, never a mathematical edge over the code.

This video about mosquitoes poses an interesting question to the viewer.  If you could push a button, and by that action eradicate all the mosquitoes on the planet at once, would you?  Any kind of extinction event should warrant thought and reflection and to be sure, the mighty mosquito doesn’t have much going for it.  Despite its tiny size, the death toll every year is still around 700,000 as the insect transmits diseases such as malaria, dengue and yellow fever – as well as others.  That’s an awful lot of people (even though the dint it makes in our population is scarcely noticeable).

So, would you press that button?  Find out the pros and cons by watching the video, which is also full of random but interesting facts about mosquitoes.  For example, I wasn’t aware that it was only the female that bites us – and that discovery has led to some developments in trying to reduce the number of “deaths by mosquito” each year.  The video also shows measures which do not involve killing the insect, so perhaps there is room for the mosquito and the human to cohabit the planet after all?  My own take on this situation is not an extinction level event (as it were) for a number of reasons.  First and foremost, nature has a nasty habit of filling in any gaps, and if we get rid of every mosquito on the planet, I am convinced that something far nastier might eventually discover the empty niche and fill it...  Watch the intriguing video by BBC Ideas below.

It is often said that beauty is in the eye of the beholder, and if that is the case, then I think this Indian Rhinoceros is a magnificent example. With its armour-like skin, prehistoric appearance and surprisingly gentle nature, it possesses a unique beauty all of its own.

This photograph was taken near the Narayani River in the Chitwan region of Nepal.

Found in the wild across southern Nepal and parts of northern India, the Indian Rhinoceros is instantly recognisable thanks to its armour-like skin and single horn. Despite its formidable appearance, it is a peaceful grazer and one of the world's greatest conservation success stories.

Nepal's populations, particularly in Chitwan and Bardia National Parks, have rebounded significantly thanks to decades of anti-poaching efforts, habitat protection and close cooperation between conservation organisations and local communities. Sadly, poaching has not disappeared entirely, and the species continues to face threats from illegal hunting and habitat loss.

By the early 20th century, the Indian Rhinoceros had been reduced to just a few hundred animals in the wild. Even as recently as the 1990s, the global population was thought to number only around 1,900 individuals. Thanks to sustained conservation measures by the governments of Nepal and India, that number has now risen to more than 4,100 animals. While this remarkable recovery is worth celebrating, the Indian Rhinoceros is still classified as Vulnerable on the IUCN Red List.

Let's hope that continued protection keeps poachers at bay and allows this extraordinary species to continue its recovery for generations to come.

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Are they antlers? Perhaps they are horns?  They are definitely not antenna – the Serengeti is not (as far as we know) wired for giraffid telecommunications.  They are called ossicones – and giraffes are born with them. image

Image Credit

The new BBC series Evolution, presented by Chris Packham, has been garnering favourable reviews and by the clip below, I am sure you will see why.  Evolution is a difficult thing to explain, but with the aid of these visuals, and a great script, this new show manages to do it in a way that is both understandable and genuinely awe-inspiring. It takes a subject that can often seem abstract and transforms it into a compelling journey through time, showing how every living thing is connected by the extraordinary process of evolution.

In this clip, Packham begins with the warthog and how it has evolved to solve a certain problem – the fact that its mouth isn’t really very close to the ground, which is where it gets its food (you will have to watch the video to discover this particular adaptation).  However, he soon moves on to the elephant, which had the same problem, but evolution solved it in a different way – by extending the trunk.  Although this isn’t the whole story – it’s a great clip that covers most of the important elements of this particularly startling piece of evolutionary magic.  On the journey we get to see palaeomastadon, platybelodon and of course, everyone’s favourite, the mammoth. If you would like to find how to watch Evolution in your region, visit the BBC Earth website.

Colobus congoensis lives in the Congo Basin rainforest. It has black hair and orange-cream lips (it's this that makes it stand out, if anything). It also has high cheekbones and sticky-out ears with distinctive notches. And now it's officially a new species. The discovery was formally published in the journal PLOS One on 15 July 2026, following almost two decades of detective work by primatologists. It is only the fifth new African monkey species to be recognised in the past 75 years.

The monkey was first photographed in 2008 in the remote forests of Lomami National Park, but the image was too indistinct to prove it was anything new. A second sighting in 2018 prompted a dedicated four-year study, during which researchers recorded 114 sightings, analysed its DNA, anatomy and distinctive roaring calls, and confirmed that it had been evolving separately from its closest relatives for millions of years.

And its closest relative? Well, it isn't particularly close geographically. Genetic evidence suggests it is most closely related to the Black Colobus (Colobus satanas) of west-central Africa. The two species are separated by more than 1,200 kilometres of rainforest, implying they diverged around 4–5 million years ago.

Of course, we can't really say it has been discovered. The people living near its habitat in the Congo Basin have known about it for generations. They call it Likweli. Researchers found that only a handful of local communities recognised the monkey, which says something about how restricted its range appears to be—and perhaps that it prefers to keep well away from us. Likweli has now been adopted as its common name, although the meaning of the word has not been published. Then again, ask most English speakers why a fox is called a fox, and you'll probably get little more than a shrug.

Watch this video by Florida Atlantic University to learn more about the research that went into recognising the Likewli as a new species of monkey.

High up in the Ethiopian mountains lives the Gelada.  It lives nowhere else and although its closest living relative is the baboon, with its hairless face and short muzzle the gelada looks more like a chimpanzee.  Isolated in these remote Ethiopian Highlands (often called The Roof of Africa) this primate has developed a way of existence (one might call it a culture) all of its own.

To begin with the gelada is a graminivore which means that it only eats grass.  Fortunately, the highlands in which they live are cooler and a lot less arid than many parts of Ethiopia and they rarely experience any kind of food shortage.  They will also become granivorous when the grass is in seed.  In fact, they actively prefer the seed to the grass – it is probably a welcome change.

It must have been an awe-inspiring sight – millions upon millions of passenger pigeons flying across the American landscape.  Forest-loving (and living) pigeons were never seen alone – they would flock and migrate from the southern forest to their breeding grounds in the north.  The size of the flocks was so large that they would darken the sky, destroy tree branches with their weight (roosting literally on top of each other) and leave behind a carpet of passenger pigeon poop.  And then, they were gone.

There had been between 3 and 5 billion passenger pigeons in the USA and in the space of just a few decades there was just one left (in a zoo).  This endling – the name given to the last member of a species was known as Martha.  This is not only her story, of course, but that of her entire species.

This is the story of yet another clash between humans and birds – another which led to the extinction of a species that was once so numerous it was uncountable.  The reason for the extinction of the passenger pigeon is not as simple as you might think – it’s more than just being hunted to extinction.  This fascinating video by Bizarre Beasts posits that it was the telegraph and the railway that finally did for this bird – as well as (ironically) its own particular survival strategy which, until our arrival, had served it well for thousands of years.

There is much more to the pigeon than meets the eye (and more to their vision than we once thought).  This fascinating video by True Facts Educational delves into the bobbing heads question.  The answer is quite simple - they are only trying to keep their world still.  This video goes into much more detail than that, of course, but this is only the beginning.  It turns out that there are a lot of questions we could ask about pigeons, but are too distracted by our daily lives to go and seek the answer.  So, what other questions does this video ask?

First and foremost, something that we have seen countless times.  We all recognise the signs when pigeons are getting amorous.  There is the head bowing and the tail feather fanned out – and the female trying to get away at all costs.  The signals the male gives are very similar to those he displays when feeling aggressive, but they are part of an elaborate courtship dance.  You know he's got it right when the female allows a little beaking to go on (yes, you read that correctly – watch the video to see it in action!).   It isn’t some kind of pigeon French-kissing, though – it enables the giving of a gift.   That raises another question – why do their nests so often look like a hopeless mess, like they haven’t bothered to make much of an effort to give their eggs a place to call home?  There’s a good reason for that, too…

One thing that genuinely surprised me is the fact that most pigeons mate for life.  Their courtship rituals always look so random to me – but perhaps I wasn’t paying enough attention!  When I watch them (with some amusement) in the local park, it all looks a little random, but their behaviour is far more sophisticated than it first appears. Watch the video below and discover much more about the humble pigeon – it might surprise you just how complex the behaviour of this bird we all take for granted truly is. 

The Malabar pied hornbill (Anthracoceros coronatus) is a striking bird to say the least, especially when it is in full flight.  As you can see from the picture, it has a large casque above its upper mandible.  A casque is thought to serve as a clue to others of its species about sex, maturity or even social status.  The casque of the male Malabar pied hornbill is, for example, larger than the females (the one in the picture is female).  The casque might also serve to reinforce the bird’s beak or even act as a call enhancer.  They have been observed being used in fights between members of the same species.  So, the function of a casque is more a hypothesis than a fact, but the above are the most likely reasons why birds have them. Image Credit

For me, the most fascinating aspect of the life of the Malabar pied hornbill, which is found in India and Sri Lanka, is the way that they raise their chicks.  The female lays the eggs in a tree hollow, which the male seals up with a home-made cement, leaving only a small hole through which he passes food to the mother and growing chicks. Although the bird is an omnivore, the main component of its diet (75%) is figs.  When the chicks grow too large for the female to remain inside the cavity, she breaks out, and then seals it back up again.  She joins the male in passing food through the little hole until the chicks are ready to fledge.  Fascinating!

Did you know that when it feels threatened, a slow loris can stay motionless, gripped onto a single branch, for hours? That isn’t the only remarkable fact about this animal, which is endangered.  Their single biggest threat is us – you can obviously see the attraction from the picture of the Javan Slow Loris above – and in their own habitat they are often taken as “living toys” for children.  They are also victims of the international global animal smuggling network and videos of them in captivity often get hundreds of thousands if not millions of hits. They look very passive and docile in the videos – and do you know why that is?  It is because their defense mechanism is to freeze – so what you are seeing in these videos is not a slow loris happily joining in the fun, but an animal that is so scared that it has become motionless. Image

The video below is a TED-Ed Lesson by Stephanie A. Poindexter, directed by Reza Riahi and it focuses on the life of the slow loris in the wild, looking at when they diverged from other primates (an awfully long time ago) and how that defensive mechanism works when they are confronted with danger.  Although they are omnivores, they also love to eat tree gum – and it is thought that they sequester the toxins from the gum for their own use.  They are venomous – the only primate to hold that particular badge, and one of the few venomous mammals in existence.  They secrete the toxin from their armpits, mix it with their saliva and spread it on their teeth, so when they bit another animal, it will start a flesh-rotting process almost immediately.  They also spread it all over their coats, which makes it a highly effective anti-parasite balm. Some animals (like cats and civets) hate even the vaguest smell of slow loris saliva, so you can see how their venom has multiple uses.

So, if a slow loris ever adopts its venom pose (the very cute hands above its head that so many people think is the slow loris joining in the fun), accompanied by swaying and throaty noises, make a quick exit.  However, the “people” who work in the illegal trade of the slow loris do something unspeakable – they file down their teeth so the venom cannot be carried that way, or they remove the teeth altogether before selling the wretched animal on. It is mind-boggling to think that people want to keep slow loris as pets given the suffering that they go through and, let’s face it, that they are still potentially venemous. Having said that, wildlife researchers have revealed that the biggest victim of slow loris venom is, wait for it, other slow lorises.

This is a fascinating photograph, not only for the obelisk Position that the dragonfly has positioned itself in, but because of the name of the species – the Halloween pennant (Celithemis eponina).  It is native to North America and the West Indies. It gets its name because when it flies, these colours look a bit like traditional Halloween decorations (orange and black), especially when it perches with its wings held out like little flags. Image

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Wait... the obelisk position?  Here is the same dragonfly from a different angle. Basically, it’s doing a handstand (like the blue dasher above) and there are a few reasons why it might exhibiting this strange behavior.

How do I look in these?  That age old question about sunglasses is now not only restricted to our own species.  Now the dogs are getting in on the act too.  A surprise hit, it has been described as one of those money making ideas that should never have worked but in fact makes millions.

Species of animals change over time, some just a little but others quite a lot! Science took a while to catch up but in 1858 the idea of Natural Selection was put forward.  We have Charles Darwin and Alfred Russell Wallace to thank for that, because it’s been around ever since. Soon after, Darwin would publish “On the Origin of Species” in 1859, a book that shook educated society to the core. In fact, the theory of evolution was not taught in many schools because people disagreed with it - and there is still some dissent today (in some places!).

But how does natural selection work?  This hugely interesting video from the Natural History Museum in London takes the giraffe as an example. We know how well suited they are for survival, especially because of their long necks and tongues that help them pick off the juiciest leaves from even the tallest of trees.  They didn’t always have long necks and tongues – and the changes that happened to make it so are called adaptations. There is also the fact that every single member of one species is just a little different from all the others – and that’s called variation. This variation can sometimes mean that certain individuals have an advantage over others in their natural environment.

So, natural selection happens because animals with adaptations that make them  more successful are way more likely to survive long enough to produce offspring who will have the same adaptation.  SO, that’s why if you go back far enough, and encountered the ancestor of today’s giraffes, you will probably have great difficulty in recognising it as such.  To learn more about variation, adaptation and natural selection, look at the video below. It’s put forward in a very straightforward way which makes you wonder why it too so long for us to get to Darwin and his ideas.  I guess something is only obvious when it’s made obvious.

Some frogs spend their lives in the tree canopy and only come “down to earth” when it’s time to find a mate and breed.  They can live in the treetops because the environment is so humid that they do not have to rely on puddles or pools to get by. That is the case with the gliding leaf frog, and the way it gets itself back to the ground is quite spectacular.   The gliding tree frog (also known as the gliding leaf frog) is endemic to the humid forests of the tropical east pacific, in countries including Costa Rica, Panama, Colombia, and Ecuador (but not spread throughout these countries).

They have huge webbed feet – and that’s just as well.  They use them, effectively, as parachutes.   Once they get to the ground the males begin to sing – to attract the females. This fills the surrounding forest with noise – so it is the female who makes the ultimate choice of which male she wants to mate with.   She always seems to go towards the loudest calls – this generally means a bigger frog! However, in order to get to her choice, she has to get past the other frogs who want to get overfriendly with her… and so she sometimes has to use her very large feet to kick unwanted suitors away. That is more difficult than it sounds, given that once attached, the male frogs are almost impossible to remove.

Watch some amazing footage of the gliding leaf frog in the video below.  To be honest, it looks like something of a free for all!

Although there are only a fraction of the suburban hedgehogs in the UK that were around even twenty years ago, life must go on.  This clip from the BBC documentary Secret Gardens shows a female hedgehog looking for a mate.  She really does have to search far and wide in order to find a mate, but eventually she succeeds!  This is a sweet story but sad too, as it underlines just how few of these lovely, harmless creatures are left in the towns and cities of the UK.

Perhaps, as is featured in the video, more effort should be put into creating hedgehog corridors, so that they can safely navigate routes between properties in order to find the love of their life (well, of the evening at least).   A little patience and a little help can go a long way – and it would be great to think that hedgehogs are considered when new houses are built too.  Sometimes, one has to wonder why people even build houses with gardens – they are in such a rush to pave them over that it is little wonder that the hedgehogs of England are becoming something of a rarity.

Did you know that 7.5 billion landbirds currently call North America home?  That’s an awful lot of birds, but here is a question – think about it.  When did you last see a dead bird?  The adult  mortality rate of songbirds is around 45% in their first year, so why is it we don’t see many (or any) dead birds?  So, what happens to birds when they die, when they fall off their metaphorical perch?

It seems that behavior changes when a bird senses that it is not long before it slips off its mortal coil.  They become lethargic and seek cover.  When a bird knows that its health is compromised it retreats to places where predators are unlikely to spot it.  It is an instinctive threat response – to hide because it even though it is on its way out, it still doesn't want to be killed by a predator.  So birds die in places that you can’t see into - dense foliage often covers them up after death.   Even if the bird dies in plain sight, the average time it is visible is about 30 minutes to 4 hours.  Scavengers get them. As well as insect action, cats and even other birds can come along and pick up the carcass.  Watch this fascinating video by Bird Whisper, which delves into more detail below.

This gorgeous bird is a brood parasite (like most other cuckoos), meaning females lay their eggs in the nests of other bird species. The picture is of a male (he has a bright yellow breast). During the rainy-season breeding period between September and March, a female can lay about 19 to 25 eggs. Although they do not need territory to raise chicks, male cuckoos still defend territories to attract mates. The species is widespread across sub-Saharan Africa. Image